“My second grade teacher liked to ask us,
“How do you feel today, on a scale of one to ten?”
Ten always meant I’m super, thank you
and one was always not today, Mrs. MacAuley, not today.
But I never liked numbers, they would always
twist and rebel against my mind so I chose
to speak in colors instead.
January third - I am the color
of mint chocolate chip ice cream
but I’ve eaten all the chocolate chips.
I am calm.
February seventh - I am a bruise of
blues and violets today. I think it would
be best if I sat by the window.
These are unhappy colors.
April eleventh - I am turquoise, I am magenta,
I am every color in the rainbow.
April thirtieth - I am gray, I am silent.
May first - I am orange, the color of melting
creamsicles on a beach in July.
June twelfth - I am as yellow as the school bus
that will bring me home to summer. I am free.
Twelve years later, I still use colors.
The winter makes me feel cobalt blue, the ocean
turns me a seafoam green. Violets and purples
leave me uneasy and scarlet is a fever of fury.
Some nights I drown in shades of navy, denim,
and cornflower but other nights I meditate in forests of
harlequin and shamrock.
you leave me a blinding white followed by a soft yellow:
the color of sunlight after a period of darkness.”—Kelsey Danielle, “A Diary of Colors” (via fusels)
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.”—Gary Provost (via jongkey)
“Men’s rights activists don’t organize marches; they don’t build shelters or raise funds for abused men; they don’t organize prostate cancer-awareness events or campaign against prison rape. What they actually do, when they’re not simply carping in comments online, is target and harass women—from feminist writers and professors to activists—in an attempt to silence them.”—
“I sit before flowers hoping they will train me in the art of opening up. I stand on mountain tops believing that avalanches will teach me to let go. I know nothing, but I am here to learn.”—Shane Koyczan (via shortstackphotos)